![]() Though a comedy at heart, the play touches on universal themes like finding community, the importance of adult friendship and how empathy can help nurture romantic relationships. “And I’ve had to understand the ways in which I rely on technology to survive and the ways in which technology gives me community.” “Over time, I’ve had to really learn to drop my judgment of video games and understand in a deep way what they do for him,” Brunstetter said. ![]() Inspiration for the play wasn’t hard to find. The play focuses on the married couple Alyssa and Homer, played by actors Megan Ketch and Lucas Dixon, respectively. In “The Game,” a group of women band together to pull their partners away from a highly addictive online game that is wreaking havoc on their relationships. Originally performed in Ancient Greece in 411 B.C., the comedy centers on an Athenian woman named Lysistrata, who aims to end the Peloponnesian War by persuading women from warring territories to withhold sexual privileges from their soldier husbands.īrunstetter brings the narrative into the 21st century by swapping the battlefield for video game controllers. “I love doing anything that brings me home,” Brunstetter said. It started with a call from PlayMakers producing artistic director Vivienne Benesch, who gauged Brunstetter’s interest in writing a modern adaptation of the first Greek comedy, “Lysistrata,” by Aristophanes. Much like “The Notebook” creative process, crafting “The Game” has been a multi-year effort, dating back to the early days of the pandemic. To go straight from my first Broadway show, after writing plays for 20-something years, to UNC where it all began is just really moving.” “I wrote my first play when I was 18 years old at UNC-Chapel Hill in the drama building. “The timing is just truly incredible,” she said. Even more, the play has given the Los Angeles-based Brunstetter the opportunity to come home. That play, called “The Game,” will make its world premiere at PlayMakers on April 13 and run through April 28, giving Chapel Hill audiences the chance to see a playwright and screenwriter at the top of her craft. Within days, she boarded a plane toward North Carolina to put the finishing touches on her next production. But Brunstetter didn’t have long to soak in the adulation. Seeing her work hit Broadway on March 14 felt like sending a child off to school for the first time. The visit came on the heels of the longtime writer’s Broadway debut - a musical adaptation of Nicholas Sparks’ “The Notebook” that she worked on for seven years with composer Ingrid Michaelson. ![]() The homecoming felt surreal – a genuine full-circle moment for the 2004 Carolina graduate. She chowed down a sausage, egg and cheese biscuit from Sunrise Kitchen, sipped coffee at Caffé Driade and, of course, attended rehearsals at PlayMakers Repertory Company. When Bekah Brunstetter came home to Chapel Hill in late March, she made sure to visit all her old haunts. University Development Opens in new site.Gillings School of Global Public Health. ![]() News and Updates Opens in new site Display Sub Menu for News and Updates.Life at Carolina Display Sub Menu for Life at Carolina.Athletics Display Sub Menu for Athletics.Continuing Education Opportunities Opens in new site.Academics Display Sub Menu for Academics.Branding and Identity Guidelines Opens in new site.About the University Display Sub Menu for About the University.
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